A text summary of a single technique for still life sketching in about 500 words

Sketch still life single drawing text summary of about 500 words in total

When drawing a still life, you must first carefully observe the material of the object you are painting. Different materials have different expression techniques, such as porcelain and stoneware. The surface of porcelain is smooth and rounded, and delicate brushstrokes should be used to express it on the light-receiving surface. At the same time, attention should be paid to the corresponding smoothness in the dark reflective areas. During the whole process, attention should be paid to the handling of the boundary between light and dark, and appropriate transitions should be made. In the highlights, the pencil should be slightly sharpened. Use a gentle hand when painting to avoid excessive force. These considerations can help you better represent the textures of your still life.

When drawing jars, rough ceramic materials are usually used. Use a 3B pencil to draw the bright parts of the can, being careful to trace the direction of the grain and avoid leaving empty spaces. Slightly emphasize the texture of the jar and show it in the light reflections in the dark areas. The focus should be on the line between light and dark, detailing the grain direction of the jar material.

Fruits: Fruits are generally colored. It is necessary to draw not only its sketch feeling but also the difference between the cold and warm colors. The difference between the cold and warm colors of the fruit itself and the reflection of the dark parts should be expressed at the junction of light and dark. This may reflect the influence of the materials of things around the fruit, so pay attention to expression when painting.

Stainless steel: The bright part of stainless steel is affected by the material, so there is no need to leave any white space in the highlight area. During the final processing, you can use an eraser to lightly pick up the highlight area. The boundary between light and dark will not be a very clear line, it is the turning point of the surface. You need to handle this carefully, as there will be many reflective spots from surrounding objects in the dark area, so you need to deal with the severity.

Glassware: The light spots of glassware are very scattered due to the influence of their materials. The relationship between them must be well handled, especially at their turns. The bright spots in the high-gloss areas must be left blank and kept clean. Pay attention to reflect the three-dimensional transparency of the glass when painting, draw the boundary line between light and dark, and pay attention to the refraction of the glass.

How to draw still life with teacher sketch

First of all, we must clarify the steps of sketching still life

1. Establish the composition: Establish the arrangement of the composition so that the objects on the screen have the right priority, the composition is balanced and varied, and avoid problems such as scattering, chaos, empty space, and congestion. Draw a large physical structure, use long lines to draw the physical structure of the object (the invisible parts of the object should also be lightly drawn), and the shape, proportion, and structural relationship of the object must be accurate

2. Draw the shape positions of each light and dark level (highlight, bright part, middle color, dark part, projection and light and dark intersection line)

3. The basic tone should be accurate. The tone here includes light and shadow and the inherent color of the object. Pay attention to the expression of the object's texture and volume. Texture is the property of the object's material. For example, what material is it made of? Is it metal, glass, ceramic, etc.? The sense of quantity is the visual weight of an object, not the weight of the object itself (the central subject does not necessarily have to be a heavy or dark object)

4. When describing in depth, it is inevitable to ignore the relationship between the whole and the parts. At this time, it is necessary to make comprehensive adjustments (mainly referring to the physical structure, including tone, texture, space, primary and secondary, etc.), make choices, highlight the main body, and finally make in-depth adjustments to complete.

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