Using scientific and technological means to tell historical stories, Alibaba Yuanjing and Xi'an Museum jointly created the Yuanverse Exhibition Hall

Cultural relics inherit civilization, and national treasures bear witness to history. Museum collections are the most direct witness to the historical development of Chinese civilization over thousands of years. In order to better bring cultural relics to life, further strengthen the value exploration of cultural relics, and tell the stories behind cultural relics, the digital transformation of museums is an unavoidable topic. With the development of three-dimensional photography, modeling, animation and other technologies, the digital recording of cultural relics has become more accurate and real. Both museums and audiences have turned their attention to exhibition methods that are more present and experiential. As a new, comprehensive, and interactive digital means, Metaverse technology has shown its unique advantages in cultural relic display, virtual exhibitions, and historical explanations.

Use scientific and technological means to tell historical stories

Museums can reflect the height of material civilization and the thickness of spiritual culture of a country, a region, and a city. The feeling of space brought by crossing the long river of history cannot be replaced by anything else. What the museum provides is not only a material collection and display, but also a spiritual gathering and retrospection. With the rejuvenation of the nation, museums shoulder the mission of spreading more Chinese culture. In the new era, through digital technology, everyone can learn more about history and the splendid Chinese culture.

Alibaba Yuanjing and Xi'an Museum use many of the latest technical means such as real-time cloud rendering, generative AI, and 3D high-definition modeling to create a new "immersive" cultural tourism and museum experience. The two parties have implanted immersive experience, human-computer interaction, situational implantation and other contents into 3D interactive content through Metaverse technology. The content is combined with precious cultural relic collections to create a cultural tourism metaverse where tourists can be immersed in the scene and interact with cultural relics.

For example, in the 3D interactive space of the Yuanverse of "The Legend of the Treasure", the story is inspired by "Taiping Guangji". The two parties personified the cultural relics through in-depth exploration of the stories behind the cultural relics, combined with history to implant interactive experience plots in the space, and then through 3D Real-time cloud rendering technology and high-definition modeling are used to create ultra-high-quality presentations, allowing cultural relics to walk out of the exhibition hall and meet the public with a more vivid and full appearance. Visitors start a "new life experience" as a "historical participant". Through the interaction of the stories of Jinxiang county lord, ladies and Hu merchants, the Yuanverse space vividly connects 50 cultural relics such as painted Hu figurines, girl figurines, horse riding and hunting figurines, as well as scenes such as the Small Wild Goose Pagoda, Wangchuan Picture, Chang'an 108 Square, etc. , allowing visitors to experience the various social aspects, openness and tolerance of Chang'an in the Tang Dynasty while exploring the story, and trigger the public's understanding of their family and country.

Wenlv Yuanshi makes cultural relics come alive

Based on the 3D interactive space of the metaverse created by "Wangchuan Picture", another important collection of Xi'an Museum, users become characters in "Wangchuan Picture" and freely walk around the twenty scenes of Wangchuan written by Wang Wei. Every time the user visits a scene in the picture, the corresponding scenery introduction and the poems left by Wang Wei will be triggered. Each scene and the poem complement each other. "Walking in the Dogwood River and boating on the Lake of the Sun", I listened to the person in the painting reciting "Red Beans" and asked the boy to look for Wang Wei's footprints. Along with the beautiful scenery in the painting and the poems left by the "Poetry Buddha", users will experience Wang Wei's state of mind at that time in the landscape between paper and pen.

At the same time, Ali Yuanjing made the "Zhuli Pavilion" one of the twenty sceneries of Wangchuan in Wang Wei's poem "Sitting alone in the secluded bamboo, playing the piano and roaring" in three dimensions. Users can transform the flat "people in the painting" into 3D characters through Wangchuan Dimension Upgrade, and the scene also changes from the flat Wangchuan scroll to a realistic three-dimensional scene with traditional Chinese charm. Users can freely explore and tour at the end of Wangchuan River including "Zhuli Pavilion", "Xinyiwu", "Jiaoyuan" and "Qiyuan".

Appreciating cultural treasures is not limited by time and space

Users interacting with cultural relics or personally participating in historical stories in the Metaverse need to be built on a good enough experience to enter the era of Metaverse 2.0, with instant, high-precision, ultra-high-definition metaverses. Only the 3D content of the universe can satisfy the user experience. The core requirements for the experience here include:

Breaking through regional restrictions and expanding the scope of display, museums continue to expand the scope and popularity of cultural communication, and the use of new technologies makes cultural communication and cultural relic display more diverse. For example, in the metaverse of Xi'an Museum, there is the Garden of Memory located above the water, a floating island floating above Chang'an that combines Tang Dynasty style and technological elements, and an online exhibition hall of more than 20,000 square meters to fully display the cultural relics of Xi'an Museum. Grace. Digital exhibition halls that are not restricted by space and time can infinitely expand the coverage and popularity of cultural communication, and cultural relics will be exhibited in more than one place.

Personalized display of cultural relics with rich and vivid content. With the support of cutting-edge new technologies, the display methods of cultural relics collections can be creatively designed according to their own characteristics. Take the Sancai residential model of the Tang Dynasty as an example. In the past, the traditional way of visiting was for tourists to walk into the museum and watch the model through the glass and read the introduction. Now tourists can appreciate the historical collections with high precision at any time in the cultural tourism metaverse, and can even zoom out and travel into the cultural relics, appreciating every detail of the cultural relics from a new perspective, just like entering the Lilliputian Kingdom.

The human-computer interaction method attracts the attention of young people. Young people have distinctive personality characteristics and pay attention to personal experience and participation in cultural inheritance. Yuanjing combines technology with culture to create a cultural tourism metaverse that is both immersive and highly interactive. Its youthful presentation is both educational and entertaining, telling history to young people in a relaxed yet rigorous way.

With the help of Alibaba Yuanjing Cultural Tourism’s metaverse technical solution, cultural relic collections can be restored and precipitated into lifelike digital assets, breaking the time and space restrictions in the cloud, and meeting various needs such as all-round display of cultural relics, story interpretation, and modern management. This new form of cultural communication plays a positive role in promoting the inheritance of Chinese culture, enhancing cultural confidence, and spreading local culture overseas.

In fact, as the Metaverse enters the 2.0 era, it provides truly immersive, fun interactive 3D interactive content that can be accessed across terminals. Its role in the field of culture, tourism and museums has also become increasingly significant. Use digital means to vividly tell the stories behind these cultural relics full of historical significance, allowing the public to participate in the learning of historical and cultural knowledge in a more interesting way. The dissemination of Chinese culture cannot be separated from the unremitting efforts of the whole society. Especially in the digital age, it is even more necessary to make vertical efforts and use scientific and technological innovation as the communication paradigm to promote Chinese culture to the world. Xi'an Museum and Ali Yuanjing are exploring new forms of communication of history and culture with the power of science and technology. By giving vitality to cultural relics in the metaverse world and innovative ways of experiencing it, we can break the public's traditional impression of museums and become a practitioner of Chinese cultural inheritance in the digital age.

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